Don´t take the job if they can´t take a joke

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	<title>Don´t take the job if they can´t take a joke</title>
	<link>https://hanssuleyman.com</link>
	<description>Don´t take the job if they can´t take a joke</description>
	<pubDate>Fri, 07 Jan 2022 15:28:49 +0000</pubDate>
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		<title>Front page</title>
				
		<link>https://hanssuleyman.com/Front-page</link>

		<pubDate>Fri, 07 Jan 2022 15:28:49 +0000</pubDate>

		<dc:creator>Don´t take the job if they can´t take a joke</dc:creator>

		<guid isPermaLink="true">https://hanssuleyman.com/Front-page</guid>

		<description>Yes, 
you can read 
my mind.
Malik Benamara
Berlin/Hamburg/Munich based group creative director.And copywriter.


About

The work

Get in touch


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	</item>
		
		
	<item>
		<title>About</title>
				
		<link>https://hanssuleyman.com/About</link>

		<pubDate>Fri, 07 Jan 2022 15:28:49 +0000</pubDate>

		<dc:creator>Don´t take the job if they can´t take a joke</dc:creator>

		<guid isPermaLink="true">https://hanssuleyman.com/About</guid>

		<description>Bas Jan AderMixed Media1970 — 1971


Thoughts unsaid, then forgotten
I’m Too Sad to Tell You is a mixed media artwork by conceptual artist Bas Jan Ader.
&#60;img width="592" height="715" width_o="592" height_o="715" data-src="https://freight.cargo.site/t/original/i/5a0cf8d8066dd6d8de68fba0dc9db4ae05685d428d53444ae3ff8ab958495afe/toosad3.jpg" data-mid="129343566" border="0"  src="https://freight.cargo.site/w/592/i/5a0cf8d8066dd6d8de68fba0dc9db4ae05685d428d53444ae3ff8ab958495afe/toosad3.jpg" /&#62;The work includes a three-minute black-and-white silent film, still photographs and a post card all related to him crying for an unknown reason. The photographs include both a short hair version and a long hair version. The post cards were mailed to his friends with the inscription “I'm too sad to tell you.”
InfluenceThe work has influenced a large number of artists, with many composing interpretations and homages to the work. These include: &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Alexander Brandt on his goal of imitating Ader’s pose in his own self portrait: My appropriation of this visual has a strategic aim. I myself do not fit the cliché of a tragic artist.... It is the reactions it will produce with the audience that interest me.David Horvitz on the influence for his book “Sad Depressed People”:
If you look at my book, all the images are with people’s hands to their faces...this was actually a direct reference to Ader’s image.

Vik Muniz created “Self Portrait (I Am Too Sad to Tell You, after Bas Jan Ader)” with his head in his hand per Ader. 
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Hugh O’Donnell created a performance piece performed with Ader’s movie. 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; Lisa Rovner said Ader’s movie “was the most beautiful thing she’s ever seen.”


 The work’s original form was a silent black and white movie shot outdoors in 1970 apparently in front of Ader’s house. The movie was shown in Claremont College, but has since been lost. 
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; A still from the movie, however, was extracted and made into a post card. It shows Ader with his head in his hand crying. The back of the post card had the written inscription “I'm too sad to tell you.” It was dated September 13, 1970. 
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The card was mailed to a number of Ader’s friends. The image has also been reproduced in a photographic version with the inscription written in the lower right hand corner. The post card and photograph have become iconic of the work and a symbol that many artists have emulated.
&#60;img width="1752" height="1272" width_o="1752" height_o="1272" data-src="https://freight.cargo.site/t/original/i/8f03a7e4c9bfa11f5e7723c52f2b87dead416aa08fb6102b3eec7da4c20e9d3c/15_BasJanAder.jpg" data-mid="129343567" border="0"  src="https://freight.cargo.site/w/1000/i/8f03a7e4c9bfa11f5e7723c52f2b87dead416aa08fb6102b3eec7da4c20e9d3c/15_BasJanAder.jpg" /&#62;A second version of the film was made in Amsterdam in 1971. This was more of a performance with Ader appearing to be calm before the shooting and rubbing his eyes during the filming to produce tears and build emotional intensity. 
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Ten minutes of film was shot with the final version edited to about three and a half minutes. 
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The edited version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented. 
&#60;img width="467" height="640" width_o="467" height_o="640" data-src="https://freight.cargo.site/t/original/i/a50e7e229d0e1291f00799d912f8916d57e021ca480e3c558459b396d6d22e89/large_467-2222.jpg" data-mid="129343571" border="0"  src="https://freight.cargo.site/w/467/i/a50e7e229d0e1291f00799d912f8916d57e021ca480e3c558459b396d6d22e89/large_467-2222.jpg" /&#62;
Critics have said that it is hard not to be affected by the film, with its offering of “raw passion to anyone willing to watch.”


Critical InterpretationThe work has inspired many critical interpretations and analyses.
&#60;img width="1200" height="989" width_o="1200" height_o="989" data-src="https://freight.cargo.site/t/original/i/d8f8d35c82b229191a311153726766e457eeaaa50ddda3948cd4175a2b552683/3277-mk_large.jpg" data-mid="129343568" border="0"  src="https://freight.cargo.site/w/1000/i/d8f8d35c82b229191a311153726766e457eeaaa50ddda3948cd4175a2b552683/3277-mk_large.jpg" /&#62;There seems to be an overall tension between the sincerity of the artist’s captured emotions and performance aspects of the works.
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Artists James Roberts and Collier Schorr, for example, feel the works are at once intensely personal and yet very arbitrary. There was a true reason for Ader’s sadness, but that is not shared with us. 
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Bruce Hainley, contributing editor to Artforum, thinks the reasons for his sadness are beside the point. In his view, Ader walks a fine line between sincerity (the sadness is real) and melodrama (the work is staged multiple times). 
&#60;img width="550" height="470" width_o="550" height_o="470" data-src="https://freight.cargo.site/t/original/i/76d7076289a3412d7cdd60ebf37dafdbed2140538cd99ef56c08b80526fb74a6/AderTooSad03.png" data-mid="129343569" border="0"  src="https://freight.cargo.site/w/550/i/76d7076289a3412d7cdd60ebf37dafdbed2140538cd99ef56c08b80526fb74a6/AderTooSad03.png" /&#62;Jörg Heiser, coeditor of Frieze magazine, views the work as an ironic statement of the artist taking on all of the embarrassment of the expressed emotion while leaving it open as to whether or not the viewer takes on the embarrassment as well.Women reviewers have been more critical. 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; Jennifer Doyle in her book “Hold it Against Me: Difficulty and Emotion in Contemporary Art” feels the work may be seen as real due to the tradition of the “melancholy white male artist.”


	Front Page
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	<item>
		<title>Hi</title>
				
		<link>https://hanssuleyman.com/Hi</link>

		<pubDate>Mon, 04 Jan 2021 21:32:35 +0000</pubDate>

		<dc:creator>Don´t take the job if they can´t take a joke</dc:creator>

		<guid isPermaLink="true">https://hanssuleyman.com/Hi</guid>

		<description>Thanks for stopping by.

This is Malik, a group creative director based in Hamburg/Berlin/Munich.
I am glad you`re interested in what I did so far.
 I am a creative leader who always aims for the most creative solution that will work&#38;nbsp;
in the real world.&#38;nbsp; I´ve successfuly set up teams for global brands and small speacial task alike. 
Fostering talent is key for me.
Here you`ll find an overview to get an idea of what I like and how i think.
There is some smart stuff, stupid stuff, serious stuff and hillarious stuff. 
I like stuff that moves people in one way or another. Maybe that´s why there is a special
place in my heart for all the car stuff. Who knows. Let me know what you think.

On every page please scroll to the right to see more. 
Except for this page. Because there is nothing more.
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	<item>
		<title>Me</title>
				
		<link>https://hanssuleyman.com/Me</link>

		<pubDate>Mon, 05 Mar 2012 12:54:06 +0000</pubDate>

		<dc:creator>Don´t take the job if they can´t take a joke</dc:creator>

		<guid isPermaLink="true">https://hanssuleyman.com/Me</guid>

		<description>Thanks for stopping by.
This is Malik, a multi-award-winning group creative director based in Hamburg/Berlin/Munich.I am glad you`re interested in what I did so far. I am a creative leader who always aims for the most creative solution that will work in the real world.&#38;nbsp; I´ve successfuly set up teams for global brands and small speacial tasks alike. Fostering talent is key for me.
Here you`ll find an overview to get an idea of what I like and how i think.There is some smart stuff, stupid stuff, serious stuff and hillarious stuff. I like stuff that moves people in one way or another. Maybe that´s why there is a specialplace in my heart for all the car stuff. Who knows. Let me know what you think.


Ok, got it back to start!


Is there work to see?

Did anything win?


Clients (selection):


	VW

BMW GlobalBMW US
BMW M
BMW Motorrad
HYUNDAITikTok EMEA
DEKA
WEBER


NIKE FOOTBALL
GOOGLECoca Cola
RWE
BASE
KÖLLN
GERMANWINGS
 
	
KPMGCOMPOOTTOZDFSHELLINTERCONTINENTAL HOTELS GROUPNAVIGONFINANCIAL TIMES DEUTSCHLANDTEAM7STANDOX


Clients (Agencies):


AKQA
Aperto X
Serviceplan
JvM
La Red
Ogilvy
Wood

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		<title>Awards</title>
				
		<link>https://hanssuleyman.com/Awards</link>

		<pubDate>Wed, 27 Oct 2021 14:11:41 +0000</pubDate>

		<dc:creator>Don´t take the job if they can´t take a joke</dc:creator>

		<guid isPermaLink="true">https://hanssuleyman.com/Awards</guid>

		<description>Over the years I was fortunate to work with the greatest people. Some work got recognized. Some didn´t. 
For whoever might be interested in awards, here they are.
Thanks to everyone involved!Not interested? I totally get that. It´s the past so who cares.

Back




	2021 Effie Bronze
2020 Effie silver
2020 D&#38;amp;AD white pencil
2020 D&#38;amp;AD wood pencil
2020 D&#38;amp;AD graphite pencil
2020 D&#38;amp;AD yellow pencil
2020 D&#38;amp;AD yellow pencil
2020 D&#38;amp;AD yellow pencil
2020 One show gold
2020 One show gold
2020 One show gold
2020 One show gold
2020 One show gold
2020 One show gold
2020 One show gold
2020 One show gold
2020 One show gold
2020 One show gold
2020 One show gold
2020 One show bronze
2020 One show bronze
2020 ADC global gold
2020 ADC global gold
2020 ADC global gold
2020 ADC global gold
2020 ADC global gold
2020 ADC global gold
2020 ADC global gold
2020 ADC global bronze
2020 ADC global best of &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;discipline
2020 ADC Grand Prix
2020 ADC Gold
2020 ADC Gold
2020 ADC Gold
2020 ADC Gold
2020 ADC Gold
2020 ADC Gold
2020 ADC Silver
2020 ADC Silver
2020 ADC Silver
2020 ADC Silver
2020 ADC Silver
2020 ADC Silver
2020 ADC Bronze
2020 ADC Bronze
2020 ADC Bronze
2020 ADC Bronze
2020 ADC Merit
2020 ADC Merit
2020 ADC Merit


2020 New York Festivals &#38;nbsp; &#38;nbsp; &#38;nbsp;grand prix2020 New York Festivals &#38;nbsp; &#38;nbsp; &#38;nbsp;gold2020 New York Festivals &#38;nbsp; &#38;nbsp; &#38;nbsp;gold2020 New York Festivals &#38;nbsp; &#38;nbsp; &#38;nbsp;gold2020 New York Festivals &#38;nbsp; &#38;nbsp; &#38;nbsp;gold2020 New York Festivals &#38;nbsp; &#38;nbsp; &#38;nbsp;gold2020 New York Festivals&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;gold


2020 New York Festivals &#38;nbsp; &#38;nbsp; &#38;nbsp;gold2020 New York Festivals &#38;nbsp; &#38;nbsp; &#38;nbsp;gold2020 New York Festivals &#38;nbsp; &#38;nbsp; &#38;nbsp;gold2020 New York Festivals &#38;nbsp; &#38;nbsp; &#38;nbsp;gold2020 New York Festivals &#38;nbsp; &#38;nbsp; &#38;nbsp;silver2020 New York Festivals &#38;nbsp; &#38;nbsp; &#38;nbsp;silver2020 New York Festivals &#38;nbsp; &#38;nbsp; &#38;nbsp;bronze2020 New York Festivals &#38;nbsp; &#38;nbsp; &#38;nbsp;bronze2020 New York Festivals &#38;nbsp; &#38;nbsp; &#38;nbsp;bronze2020 New York Festivals &#38;nbsp; &#38;nbsp; &#38;nbsp;bronze2020 New York Festivals &#38;nbsp; &#38;nbsp; &#38;nbsp;bronze2020 New York Festivals &#38;nbsp; &#38;nbsp; &#38;nbsp;bronze2019 eurobest grand prix2019 eurobest grand prix2019 eurobest gold2019 eurobest gold2019 eurobest gold2019 eurobest gold2019 eurobest gold2019 eurobest silver2019 eurobest silver2019 eurobest bronze2019 eurobest glass2019 LIA gold2019 LIA silver

2019 LIA silver2019 LIA bronze2019 Epica grand prix2019 Epica gold2019 Epica gold2019 Epica gold2019 Epica silver2019 Effie silver2019 Effie bronze2019 clio gold2019 clio gold2019 clio gold2019 clio gold2019 clio gold2019 clio silver2019 clio silver2019 clio silver2019 cannes glass lions &#38;nbsp; &#38;nbsp; &#38;nbsp;shortlist2019 cannes lions PR &#38;nbsp; &#38;nbsp; &#38;nbsp;grand prix2019 cannes lions design &#38;nbsp; &#38;nbsp; &#38;nbsp;silver2019 cannes lions PR &#38;nbsp; &#38;nbsp; &#38;nbsp;silver2019 cannes lions media &#38;nbsp; &#38;nbsp; &#38;nbsp;bronze2019 cannes lions direct &#38;nbsp; &#38;nbsp; &#38;nbsp;bronze


2017 Effie Bronze2016 Eurobest Bronze2016 Neptun Crossmedia &#38;nbsp; &#38;nbsp; &#38;nbsp;Award Bronze2016 DerPixel Bronze2016 cannes lions &#38;nbsp; &#38;nbsp; &#38;nbsp;promo&#38;amp;activation &#38;nbsp; &#38;nbsp; &#38;nbsp;shortlist2016 cannes lions direct &#38;nbsp; &#38;nbsp; &#38;nbsp;shortlist2016 cannes lions outdoor &#38;nbsp; &#38;nbsp; &#38;nbsp;shortlist (2x)2016 One Show Merit2016 New Media Award &#38;nbsp; &#38;nbsp; &#38;nbsp;Silver2016 ADC Bronze2016 ADC Bronze2016 ADC Silber2016 ADC Silber2016 ADC 2x Auszeichnung2016 Die Klappe Bronze2014 Eurobest Bronze2013 Autovision black2013 Autovision silver2011 2x Merits One show &#38;nbsp; &#38;nbsp; &#38;nbsp;interactive 2011 Gold New Media Award 2011 New Media Award &#38;nbsp; &#38;nbsp; &#38;nbsp;Silber2011 DDP Gold2011 DDP Gold 2011 DDP Silber 2011 DDP Best in Show 2011 golden award &#38;nbsp; &#38;nbsp; &#38;nbsp;montreux certificate2011 CLIO bronze &#38;nbsp; &#38;nbsp; &#38;nbsp;interactive2011 der pixel bronze 2011 CRESTA 2x finalist2011 ADC 1x Auszeichnung2011 ADC Bronze2011 ADC Bronze2011 ADC Bronze2011 ADC Silber, 2011 ADC Europe 2x &#38;nbsp; &#38;nbsp; &#38;nbsp;nominee2011 Effie Bronze2010 Cannes Direct Lions &#38;nbsp; &#38;nbsp; &#38;nbsp;Shortlist, 2010 Cannes Promo Lions &#38;nbsp; &#38;nbsp; &#38;nbsp;Shortlist 2010 Cannes Cyber Lions &#38;nbsp; &#38;nbsp; &#38;nbsp;Shortlist, 20102010 if2010 Mobius merit 2010 Lead Awards &#38;nbsp; &#38;nbsp; &#38;nbsp;Auszeichnung2010 Onlinestar Silber NIKE THE CHIP, 2010 Der Pixel Bronze2010 Onlinestar Silber 2009 New York Festival &#38;nbsp; &#38;nbsp; &#38;nbsp;Silver, 2009 Effie Bronze2008 Finalist New York &#38;nbsp; &#38;nbsp; &#38;nbsp;Festival2008 Mobius Gold


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	<item>
		<title>Contact</title>
				
		<link>https://hanssuleyman.com/Contact</link>

		<pubDate>Wed, 27 Oct 2021 14:11:47 +0000</pubDate>

		<dc:creator>Don´t take the job if they can´t take a joke</dc:creator>

		<guid isPermaLink="true">https://hanssuleyman.com/Contact</guid>

		<description>Feel free to contact me by mail                    

like this

or via facebook

yep.

or xing

 there you go.

Back to work?


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	<item>
		<title>The female company</title>
				
		<link>https://hanssuleyman.com/The-female-company</link>

		<pubDate>Thu, 09 Jul 2020 19:28:01 +0000</pubDate>

		<dc:creator>Don´t take the job if they can´t take a joke</dc:creator>

		<guid isPermaLink="true">https://hanssuleyman.com/The-female-company</guid>

		<description>

Can advertising change the law?
In Germany, probably world´s most law-obsessed country.. it could!

Back to work?




&#60;img width="5000" height="3545" width_o="5000" height_o="3545" data-src="https://freight.cargo.site/t/original/i/599accfd8d667aefde1e4be03ac6d39988120c0e23f38088e9765f69b037eba2/The-Female-Company_The-Tampon-Book_1_o.jpg" data-mid="129343608" border="0"  src="https://freight.cargo.site/w/1000/i/599accfd8d667aefde1e4be03ac6d39988120c0e23f38088e9765f69b037eba2/The-Female-Company_The-Tampon-Book_1_o.jpg" /&#62;&#60;img width="5000" height="3545" width_o="5000" height_o="3545" data-src="https://freight.cargo.site/t/original/i/fb16463c8d5297f309a9389ab57a4309d8a50fad0972c006ea2c35b878fa78e8/The-Female-Company_The-Tampon-Book_2_o.jpg" data-mid="129343607" border="0"  src="https://freight.cargo.site/w/1000/i/fb16463c8d5297f309a9389ab57a4309d8a50fad0972c006ea2c35b878fa78e8/The-Female-Company_The-Tampon-Book_2_o.jpg" /&#62;

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		<title>DEKA</title>
				
		<link>https://hanssuleyman.com/DEKA</link>

		<pubDate>Thu, 09 Jul 2020 18:04:46 +0000</pubDate>

		<dc:creator>Don´t take the job if they can´t take a joke</dc:creator>

		<guid isPermaLink="true">https://hanssuleyman.com/DEKA</guid>

		<description>

Germany is among the countries with the highest personal savings rates in the world. But investment still isn't a thing here really. Because it's tideous and complicated and not very engaging. I think we found a way to improve this a bit for the 2019/2020 TV campaign.

Back to work?


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		<title>innogy</title>
				
		<link>https://hanssuleyman.com/innogy</link>

		<pubDate>Wed, 29 Aug 2018 16:14:17 +0000</pubDate>

		<dc:creator>Don´t take the job if they can´t take a joke</dc:creator>

		<guid isPermaLink="true">https://hanssuleyman.com/innogy</guid>

		<description>innogy is one of the leading sustainable energy suppliers in Europe. Or it was as it became so successful (biggest ipo in german industry history) it was finally sold for a double digit billions.
It's sad to see your baby go. farewell.


Back to work?


&#60;img width="2715" height="3739" width_o="2715" height_o="3739" data-src="https://freight.cargo.site/t/original/i/61d880f01bdb588a4c31188f561bf5de88f361e7e1365ec71dfef87043128e31/210x297_INO_AZ_Solar_Bodenhaltung_Master_X3.jpg" data-mid="129343602" border="0"  src="https://freight.cargo.site/w/1000/i/61d880f01bdb588a4c31188f561bf5de88f361e7e1365ec71dfef87043128e31/210x297_INO_AZ_Solar_Bodenhaltung_Master_X3.jpg" /&#62;
&#60;img width="2715" height="3739" width_o="2715" height_o="3739" data-src="https://freight.cargo.site/t/original/i/6768fd29873dcae5ad9f3d71c0e6af07306ed9b6d24c265f9cdf79850b4db6c1/210x297_INO_AZ_SolaranlageMilchstr_Master_X3.jpg" data-mid="129343603" border="0"  src="https://freight.cargo.site/w/1000/i/6768fd29873dcae5ad9f3d71c0e6af07306ed9b6d24c265f9cdf79850b4db6c1/210x297_INO_AZ_SolaranlageMilchstr_Master_X3.jpg" /&#62;
&#60;img width="2715" height="3739" width_o="2715" height_o="3739" data-src="https://freight.cargo.site/t/original/i/7c0079b1cbd3c5f84ebb3c0433e90430a659dfb59c4c12a3b5aaac82bb412c6e/210x297_INO_AZ_AltesHausNeueTricks_Master_X3.jpg" data-mid="129343605" border="0"  src="https://freight.cargo.site/w/1000/i/7c0079b1cbd3c5f84ebb3c0433e90430a659dfb59c4c12a3b5aaac82bb412c6e/210x297_INO_AZ_AltesHausNeueTricks_Master_X3.jpg" /&#62;
&#60;img width="2715" height="3739" width_o="2715" height_o="3739" data-src="https://freight.cargo.site/t/original/i/cafe426cb834643aeb321008e0bd79f4039bb47a1847ab58471ee01dd87e8455/210x297_INO_AZ_Auto_Karma_Master_X3.jpg" data-mid="129343606" border="0"  src="https://freight.cargo.site/w/1000/i/cafe426cb834643aeb321008e0bd79f4039bb47a1847ab58471ee01dd87e8455/210x297_INO_AZ_Auto_Karma_Master_X3.jpg" /&#62;


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		<title>Hyundai </title>
				
		<link>https://hanssuleyman.com/Hyundai</link>

		<pubDate>Thu, 09 Jul 2020 19:34:05 +0000</pubDate>

		<dc:creator>Don´t take the job if they can´t take a joke</dc:creator>

		<guid isPermaLink="true">https://hanssuleyman.com/Hyundai</guid>

		<description>Covid, Korea, car ad. Sounds like the very last thing people could care about. If you have nothing to contribute that is. Luckily, Hyundai had. Even more lucky (for me), I was leading a special unit at S&#38;amp;F and the client trusted us on this one. It became the most successful online video Hyundai had ever produced to that day.


Back to work?


I was leading the teams at S&#38;amp;F to launch a new cross-platform campaign for Hyunda&#38;nbsp;to demonstrate that the future of mobility doesn´t need to be batteries alone. H2U initially focused on experiences and live communication. Timing is everything.. keep in mind the first word on this page.

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